Florenc Terminal Check-In Hall
Prague (CZ) | Idea | International Competition | 2026
HOSPITALITYURBAN SPACE


The project transforms an underused urban void beneath the Negrelli Viaduct into a transport hub conceived as a porous device. Designed as a temporary and reversible intervention, a lightweight timber canopy defines a modular system that shelters movement and activates public life without imposing on the existing structure. The architecture operates through circular strategies. Rather than leaving a permanent object, the project regenerates the space itself, turning residual infrastructure into an open, adaptable, and lasting civic resource.
FLORENC BUS TERMINAL
Terminal Check-In Hall
The New Museum of Architecture and Design in Helsinki draws on the powerful symbolism of play, rooted deeply in Finnish culture, to create an immersive experience that celebrates curiosity, community, and creativity. Inspired by the circus - a timeless symbol of joy and spectacle in our collective memory - the museum space captures the sense of wonder and freedom associated with these playful spaces. Here, visitors are welcomed to experience architecture as a place of imagination and experimentation, much like stepping into a big top tent where surprises await at every corner.


This concept of “play” is central, resonating with Nordic traditions that see play not as mere recreation but as a tool for social connection and learning. From the post-war “Junk Playgrounds” to today’s emphasis on controlled-risk environments, the play has always encouraged people to test boundaries, interact openly, and push creative limits.
The supporting structure is conceived as a series of independent columns, allowing the spaces to evolve in line with the community’s needs and interests. A spacious, open, and welcoming central courtyard serves as the heart of the campus, where people can gather and explore without needing to enter the exhibition areas.
Towards the coastline, the roof gradually descends to preserve sightlines, visually connecting the building to the city and the sea, while an elevated plaza—one of the highest in Helsinki—offers a panoramic view of the waterfront.






This concept of “play” is central, resonating with Nordic traditions that see play not as mere recreation but as a tool for social connection and learning. From the post-war “Junk Playgrounds” to today’s emphasis on controlled-risk environments, the play has always encouraged people to test boundaries, interact openly, and push creative limits.
























